Hard to believe, but it’s 2012. I’m starting my sixth year writing/directing for theater with West of Broadway, and my fifth year writing/directing/producing in film, television and internet media (third year with Lady of the Canyon). Okay. Enough personal statistics.
What I really want to talk about is the definition of “projects with a purpose.” within the entertainment world. Because I think every successful project has a purpose — whether it’s a good cause or a theme I agree with, or a cause I don’t care for or a theme that doesn’t interest me.
Let’s take television programming for example. For me, what distinguishes an epic television show from a dud is:
1. Does it take me into a world I wouldn’t know about otherwise? 2. Does it contain lead characters I’m unlikely to meet in the course of my day? 3. Does it make a lasting impression so that I’m still thinking about the characters and their lives after the show is over?
So, Without a Trace, CSI and the Law & Order franchises gave us a taste of the inner workings of the justice system, showed us what happens when a person goes missing, how forensic evidence works (kind of), all while providing a compelling and entertaining way to neatly resolve the real-life news horror stories. All while satisfying the above criteria.
The Sopranos, Boardwalk Empire, Rome, Game of Thrones, Justified, Breaking Bad– all ‘teach’ us history of sorts, and/or give us a glimpse into the workings of regional power, crime and politics, all while thrilling us with the complexities of the characters, their conflicts and their obstacles — none of which we’re likely to encounter on the same scale in our own lives, but with just enough humanity to make the characters seem like they could be people we know.
The purpose behind 24 was ostensibly to entertain, but subliminally to make torture and privacy-protection infringements palatable to the audience so we would accept it as a governmental policy– a project with a purpose, but compelling television nevertheless.
Stay with me. There’s a method to my ramblings…
I believe that the audiences who watch one-hour scripted dramas (and I can’t speak for reality non-scripted audiences, and I’m not addressing 1/2-hour sitcoms here either), I believe those audiences WANT their stories to have a purpose. To teach them something. To be able to come away with topics to think about and details to discuss with family and friends.
Lately there’s been an incredible number of fairy-tale projects: Grimm and Once Upon a Time; the soon-to-be released duplicate fairy-tale films based on Snow White and Hansel & Gretel. I think TV and movie audiences have an unquenchable thirst for fairy tales in which the young and powerless face seemingly unbeatable odds, only to overcome them. Because it’s how we all feel. Regardless of the social issues subliminal to the stories.
I believe, with all my heart, that FINDING HOPE is such a story. It explores several unfamiliar worlds: the inner workings of a cult community and a human trafficking organization; a big-city underworld teeming with nightly dangers; a justice system that doesn’t always work the way it’s supposed to; characters who are hard to forget, and betrayals by those who should be trusted.
FINDING HOPE is a fairy tale–the story of what it’s like to be a teen fugitive alone in an adult world — the story of how the human spirit triumphs over adversity.
Stay tuned for updates on when FINDING HOPE will be coming to you!
And Happy 2012!